What comes first?

April kicks off two separate short story writing competitions for me. So, I started going through my folder of ideas and characters and it struck me the varied ways stories come.

It made me wonder. Which comes first for you, as an author?

The story idea?

Or the Characters?

For me, it has come both ways. For my short story, “Maggie,” the characters came first, then the story idea followed.

For “Obsessed,” the story idea came first and the characters followed.

Is there any right or wrong way? Absolutely NOT! It is exactly the same concept with songwriting. Sometimes the melody comes first and the lyrics follow. Other times, the lyrics come and the melody follows. But, on rare occasions, both the melody and lyrics come together hand-in-hand.

That’s when there is magic!

And when the magic happens, the readers feel it. Or, in the case of music, the listeners.

In the first Creative Writing class I ever took, the professor asked the question, “What does every human have in common?”

Of course, the answers were that we breathe air, we drink water, we have to eat and require sleep. He agreed with all those answers, but he said the one characteristic that every human being possesses is the innate desire to feel something. The answers to “feel what?” are as varied as there are individuals. But, the desire to feel is present in everyone in some form or fashion.

As writers, it is our job to make sure that happens with our stories.

But, I’m curious. Which comes first for you? The story idea? Or the characters? Or, like with me, does it vary?

Family – Broken pieces

We all have issues within the makeup of our families that don’t always play out the way we’d like. This seems especially true with adult children and spouses.

No family is perfect

But, in the story I’m writing, my character, at the age of twenty-six, discovers the man who raised him and whom he believed to be his father, isn’t. He meets his real father for the first time at a rock concert. His real father is a rock star.

So, here are the emotions he deals with.

First off, SHOCK!

Second, disappointment, hurt and anger that his mother would withhold something that important from him. She’s raised him to be an honest and forthright person, and to keep his karma clear. So, she loses his trust with this shattering revelation.

How do they move on from here?

My character has to find a way to forgive his mother. But, will things ever be the same between them? Probably not. (At least it wouldn’t in real life). And, what are the underlying issues?

Family wounds

Then, he has to begin to build a relationship with this stranger, his real father. He’s admired the man and his music his entire life. But, things look different on this personal level. Where do they start?

First off – they have a common ground – a love and talent for music.

Second, they share a love for his mother.

It’s a place to start. And in real life, isn’t that all we can look for to repair a relationship or build a new one? A place to start.

Quote_Baldwin I love this quote from James Baldwin!

I’d love to hear your thoughts – your own experiences with family situations and how you moved forward from them. You might help give me deeper insight into my story. 🙂

 

Top Reasons Readers will close your book.

While recently attending the Romantic Times Booklovers Convention 2017 in Atlanta, Georgia, I sat in on a workshop that gave out this information. I felt that it was valuable enough to pass along.

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1) Nothing happens in the opening pages. No one will keep reading about a bunch of characters that are going nowhere, or pages filled with pretty scenery. Start out with some interesting action or problem, and hook your reader.

2) Too much happens in the opening page or too many characters. If  the reader has to make a list to keep track of who’s who, you’ve got too many characters. Also, avoid the same sounding names or names starting with the same letter; Kark, Kanya and Kumbla.)

3) Info dump. Your story barely gets going when the reader is saddled with pages and pages of back story. This bogs down the pace and is tedious to read. Once we get engrossed in the story, a little bit of back story will add a deeper understanding of why your character is acting the way he/she is. The key words above are ‘a little bit’.  In the workshop, it was referred to as “Salting” the story, not dumping the entire shaker out. 🙂

5) Too much of anything will spoil your story. If it’s a romance, keep the romance alive with sexual tension. If it’s a mystery, don’t just have murder after murder. Give us a clever mystery to solve. If it’s an action/thriller, don’t have chapter after chapter of fight scenes and bombs and car chases. The reader needs to get a break. And this is the perfect spot to talk about cuss words. Use them sparingly. Okay, gang members swear. To be realistic you have to have dialogue that fits. Just don’t overdo it. It is very easy to lose readers from extended profanity.  (I realize this is totally based on opinion, but I think most readers will agree that over use of profanity turns them off to the story.)

6) Factual errors. Whatever it is that you’re writing about, someone out there will be an expert in the subject. If you don’t know medicine, be careful when writing a hospital scene. If you don’t know police work be careful when writing about a crime scene. If you have your characters doing something dumb, not only will you get letters, you will lose fans. These types of errors take the reader out of the story.

7) Too helpless and too hopeless. Don’t have your plot revolve around something that could be easily cleared up by asking a question or two.

8) And it is worth mentioning that hiring a professional editor (if you are self-publishing) is of utmost importance! A poorly edited manuscript is the #1 reason a reader will stop turning pages and close your book. 

closing book

What are the things that will cause you to close a book and put it away without finishing it?