Richard J. Dobson – A Tribute

Once in a great while, in life, someone walks into it that leaves such a large footprint you are forever touched. And so it was with Richard J. Dobson (aka Don Ricardo).

Roxy Gordon was an American Indian activist, a poet, and storyteller. And, he was a friend and spirit brother to Rick and myself. It was he and his wife, Judy, who introduced Rick and myself to Ricardo in December 1999.  He and his bride-to-be, Edith, had come to Coleman to visit Roxy and Judy and to get married in the Coleman County Courthouse. I didn’t get to attend the actual wedding ceremony because I had to work, but this picture was taken in our music room the night before.

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The first song I heard Ricardo play and sing in our home, was “Piece of Wood and Steel.”

There was a little controversy that arose when David Alan Coe released it on an album and listed himself as the writer. That eventually got straightened out.

“Richard is a huge, gentle bear of a man with a rollicking, roll-with-the-punches attitude toward show business success or lack of same,” Robert Oermann wrote in The Tennessean in 1983. He added, “He’s a man-child who has retained the wide-eyed wonder of youth as he has become a godfather to the new generation of struggling pickers.”

That description fits the man perfectly. He made more than twenty albums and had songs recorded by artists such as Johnny Cash and Guy Clark. He is mentioned in Rodney Crowell’s song “Nashville 1972” as a poet. Another apt description.

But on a deeply personal level, Ricardo’s music touched me in a way that only “truth” and “real” can do.

Anytime life gets tough for me, I have one go-to as far as soothing music for my soul. It is none other than “Rockin’ To The Rhythm of the World.” It always puts me back in sync.

And there is another that I carry the lyrics to in my wallet and have for well over fifteen years called “Useful Girl.” I was that useful girl and it spoke to me in ways I can’t explain. The song was written from a true story (as many of Richard’s songs were). He loved history and loved, even more, expressing it in the poetry of song.

When the news came that Richard J. Dobson had passed away, my heart broke into a million pieces. I know that death is as much a part of life as is birth, but it doesn’t lessen the blow or the grief. I want everyone to know what an amazing artist and person Richard J. Dobson was. He was a true friend to Rick and myself and continued to be to me, after Rick’s passing.

This picture was taken at our music store a year or so before Rick passed away.

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L-R Rick Sikes, Jan Sikes, Richard Dobson, Edith Dobson

Ricardo wrote a song telling Rick’s story, “The Old Rhythm Rebel.” I am happy that he wrote and recorded it while Rick was still alive to hear it and be able to appreciate and acknowledge the honor he felt.

This post is longer than I normally make, but there isn’t any way to make it shorter and express what’s in my heart. I loved Ricardo like a brother. I was thrilled for him when I received his email telling me that his work was being archived in the Woodson Research Center at Rice University in Houston, Texas. Well, there simply isn’t enough room in this post to list all of his accomplishments including a film debut in “Heartworn Highways.”

Besides all of the music, Ricardo also wrote and published three memoirs, “The Gulf Coast Boys,” “Pleasures of the High Rhine,” and “The Years The Wind Blew Away.” 

His most recent CD release was a collaboration with Texas author, W.C. Jameson, “Plenty Good People.” It, along with most of Ricardo’s music, can be found on Amazon.

 

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Richard Dobson and Jan Sikes at a Llano Music Festival 2011

 

 

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Myself, Richard Dobson and Kay Perot in Austin 2015

To say there is a gaping hole in my heart is putting it mildly. I just know Rick, Roxy, and Ricardo are having a reunion in the other world. I can only imagine the conversations.

RIP Richard J. Dobson 3-11-42 to 12-16-17.

A life well-lived – a story well-told…

 

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My own personal collection of Richard Dobson music

 

 

#Musings from Don Ricardo

This blog came across my inbox recently from my friend, Richard J. Dobson, aka Don Ricardo and I felt his words were worth sharing.

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“It’s an old habit, this saving of clippings. I cut out a page of excerpts from commencement addresses that included this from Jessye Norman, opera singer, to graduates at Oberlin College, Ohio: “You see art brings us together as a family because it is an individual expression of universal human experience. It comes from that part of us that is without fear, prejudice, malice or any of the other things that we create in order to separate ourselves one form the other. Art makes each of us whole by insisting that we use all of our senses, our heads and our hearts, that we express with our bodies, our voices, our hands, as well as with our minds.”

I often find myself thinking about art and what it means, what it can do. What is an artist, anyway? For me at this point it’s a person who over a lifetime accumulates a body of creative work. Along the way he or she must gain enough support from the larger community to keep on creating. Success, while helpful, may not be required. Too much of it, and you’re prima donna bound, and risk trading your voice for that of a public persona.

Influence

People who write about art and artists look to trace influences. They want to know who it was that helped mold the artist, and thereby suggest a link to some known figure or movement. But when you’re young and starting a career, your greatest influence might be your old roommate, or an English professor who liked your early stories. Or a guitar picker only a handful of people ever heard of, like the reclusive country-bluesman John Grimaudo down in Rockport, Texas. Or Jack Saunders in Florida churning out a lifetime in prose he never sold; or Jason Eklund, street singer-roofer living out of his car and printing his hand-written manuscripts at the copy shop. These people, and others I could name, have probably influenced me as much as any better known artist.

Considering the economics, I’m still amazed that anyone would choose a life making music or writing books or painting. The answer to that one, of course, is the life chooses you. This opens up other questions about success, and what that might be. Artists are forgotten like everybody else. Only a tiny handful are remembered. Success might be nothing more than survival. I might have given a different answer thirty years ago.  Now I would say honoring your vision and your muse, carrying on, and doing your work. That’s your joy, and that might be what success really means. The hobbyists, the people who never had a vision, or didn’t really want it bad enough, tend to winnow out. What you’re left with is artists. Shorn of all the romance and bullshit, just people going about their work”.

If you like what Don Ricardo has to say, visit his website, take a look at the books and extensive catalog of music he has published.

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