Mountain Laurel – Segment #2

We met our main character in the first segment of Mountain Laurel last week. So far, all we know about him is that his name is Mr. Roberts and he’s obviously a country music star in Nashville.  We also know he lost his father in a coal mining accident when he was a young boy. A reporter is trying his best to get an interview out of him and so far that isn’t going well. Let’s head back to the bar and see how he fares.

###

I had a little brother, Timmy, seven years younger. Timmy had been born different. They said his brain never developed the way it should. He’d sit for hours and play with the dust that danced on the sunbeams through the windows, lost in his own little world. Oh, how Papa doted on him.

After that fateful day in the coal mines of Kentucky, the life we’d known as children of Robert Anderson was over. Mama fell into a deep depression and locked everyone out. If it hadn’t been for April, us Anderson kids might’ve starved to death.

My one solace was music. I’d often disappear for hours at a time, taking my guitar with me. A stream ran a few hundred yards from our miner’s shack on the side of the Cumberland Mountains. That’s where I’d go. I played my guitar and sang to the fish that jumped out of the water, turtles that sunned on a log and frogs that leaped from stone to stone.

The fat man cleared his throat loudly. “Mr. Roberts, I don’t think you’ve heard a word I’ve said. Would you at least answer one question?”

Oh yeah, I’d forgotten all about the insistent reporter. I turned to look squarely at him. “What’s your name?”

“Lewis Washington, sir. What inspired you to write your hit song, Cumberland Mines?”

“It was a tribute…to my father.” I motioned to the bartender and returned to my thoughts.

Not too long after we lost Papa, the local welfare lady came. I hid under the porch and listened.

Mountain_Shack

“Mrs. Anderson, we’re sorry for the loss of your husband, but it has come to our attention that your young son, Timmy, may need to be placed in an institution where he can get the kind of help he needs.”

I didn’t have to see Mama’s face to know she gave the lady a blank stare. That’s all she’d managed to give any of us for months.

The welfare lady droned on and on. By the time she drove her ’49 Ford down the dirt road that had brought her to our shack, I knew she’d be back to get Timmy. I crawled out from under the porch and kicked at the dust that settled under my feet.

1949_ford_carros_antigos_19

 

Anger took over and I bounded up the porch steps and into the house. Brushing past April, I went straight to Mama. Nothing I said would make her look at me. She was gone.

The worst thing a boy can do is cry in front of his older sister. Once I’d said my piece, I grabbed my guitar and headed for the creek as I’d done a hundred times since Papa died. Oh, how I pounded on the guitar that day. The more I cried, the harder I hit the strings. But, by the time I dragged myself back to the house, I’d written my first song about a tragedy in a Cumberland Mountain coal mine.

“Ahem. I heard Andy Roberts ain’t your real name.” The reporter didn’t give up.

I glanced at his flushed face. “Nope.”

“What’s your real one?” The way he held the pencil over the paper reminded of me a bird about to dive for its prey.

“You’re getting awful personal,” I growled. For a long minute, I considered punching him in the face.

TO BE CONTINUED……

Mountain Laurel – Segment #1

If you follow my blog, you know that a big part of my life revolves around all kinds of music, but country, folk, and Americana music in particular. Why? Because most of the songs in these genres are story-driven. As a writer, that is what I gravitate to. That is not to say that I don’t enjoy classic rock and blues, because I love them. But, ultimately it’s the stories that draw me.

There are certain songs that invoke the desire to expand and tell the story in greater detail than what you get in three minutes. That is the case with “Mountain Laurel.”

“Rocky Mountain Music” by Eddie Rabbitt is the inspiration. I hope you enjoy the story and here’s a link to the song, if you want to give it a listen.  The storyline does not follow the song a hundred percent but does take bits and pieces of it to weave into this tale.

Segment 1

“Tell me, Mr. Roberts. What’s it like bein’ a big singin’ star?”

The afternoon sun reflected off the lone front window of the Nashville bar. I turned my attention from the shot glass nestled comfortably in my hand to the watery blue eyes of an overweight fellow in a cheap leisure suit. “I reckon it’s okay.”

The heavyset man eased his rear up on the bar stool next to me and motioned to the bartender. “I hate to intrude, but I’m tryin’ real hard to get established as a reporter in the music industry and I need a story bad. What was it like for you growing up?”

Shifting away from the obtrusive interviewer, I stared past him at a memory as vivid as if it were yesterday.

Wide-eyed, I watched as my mama sank into the nearest threadbare chair and crumpled into a heap of sobs.

I could hear the words that fell out of the foreman’s mouth as he laid a clumsy hand on Mama’s shoulder, but it took a while for them to register in my twelve-year-old brain.

coal miner

“Miz Anderson, I’m sure sorry. We tried everything to get Robert out, but when the back section of the mine gave away, it was awful bad.” The miner sighed and shoved a hand covered with coal dust in his pocket. “I’ll have the missus come around and check on you if that’s okay.”

Mama didn’t answer. The kind of grief a person only feels when everything they love is snatched away wracked her body causing her frail shoulders to heave. Guttural cries sprang from her throat making the hair on the back of my neck stand up.

Thank heavens my older sister had the good sense to see the man to the door. After all, April was the strong one. Barely fifteen, she had long dark ringlets that hung down her back and violet eyes that Papa often said could turn any man’s head. She looked more like Papa than the rest of us.

I spared Mama a glance. She was broken. Deep down that day, I knew I no longer had a mama or a papa.

“Mr. Roberts, sir. I really would like to ask some questions if you can spare me five minutes.” The reporter fished out a pencil and tablet while he sipped on a foamy draft beer.

It wasn’t that I minded being interviewed; it was just the memories his questions stirred. No matter how much I drank, how many women I slept with or how many shows I sold out, the guilt was always there.

Papa was my best friend. I admired everything about him; the easy way he moved through life, always smiling and tipping his hat to the ladies, but most of all the ease that music flowed through him. He could play damn near any instrument.

That was the gift he’d passed on to me. From my barstool, I could picture him in his favorite rocker on the front porch blowing smoke rings from his pipe, plucking on his banjo and nodding at me when it was my turn to play my old beat-up Harmony guitar.

banjo man

TO BE CONTINUED NEXT SUNDAY…